Top Ten Tuesday: My Experiences with Graphic Novels

 

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My 5 all-time favorite graphic novels to date. All pictures from Goodreads.

Top Ten Tuesday is a weekly feature brought to you by The Broke and the Bookish.

What I love about graphic novels is the way they use pictures to evoke mood in a more immediate way than words alone. So much of communication is non-verbal and graphic novels let you experience the importance of a significant look or gesture.  If the story is a memoir, they provide a kind of self-portrait. Like a comic they are guided by pictures, but unlike a comic they are focused on narrative rather than action.

Since I’ve spoken about all of these graphic novels before, I thought I’d spend today’s post talking about my renewed interest in graphic novels and how I’ve become a pretty big fan over the last year or so.

The first, and for a while the only, graphic novels I read were Marjane Satrapi’s Persepolis and Art Spiegelman’s Maus books. I was introduced to Satrapi via the film Persepolis, and it was only from there that I went to read her work. I remember being blown away–not just by the nature of her experience–but by the young woman herself: cool, rebellious, full of conviction but also doubt, intelligent and never parroting. She was the person I had always wanted to be. In an interview with Vogue, she said she didn’t consider her work to be autobiographical because “…normally an autobiography is a book that you write because you hate your family and your friends and you don’t know how to say it to them, so you write a book and let them read it themselves.” Instead her story is a family history, and the history of the 70s and 80s of Iran told through the lens of her personal experience. It was an immensely important work, and even as a freshman or sophomore in high school I recognized that.

Part of me wanted more of this new medium I’d discovered, but I wasn’t sure where to get it. Our library wasn’t all that good of keeping up with the times, and there wasn’t much in the graphic section except for manga and comics. I admire both of these art forms, but they’ve never really spoken to me. So I went back to reading other things that spoke to me instead.

Then in college someone told me (or maybe I overheard someone speak about) The Maus series. I went looking for these specifically, and I was blown away. Art Spiegelman has said in many interviews that “the Holocaust trumps art,” and I think by and large he’s right about this. And yet his graphic novels are so full of emotional power,I cried reading them (which is not something I normally do). Maus II won a Pulitzer prize, the first and only graphic novel to do so.

I came to the graphic novel through other ways too. My brother was in the process of becoming a Bar Mitzvah, and his Sunday school/Hebrew school teacher took his group to see an exhibit at the Portland Art Museum about a graphic novel that depicted the entire book of Genesis. The artwork wrapped its way throughout the room and you could make out both familiar and not-so-familiar stories. It reminded me of the Jewish holiday Simchat Torah, during which the entire scroll is unwrapped (taking up the entire room), supported by the congregation. The end of the Torah and the beginning are supposed to be read in the same breath, showing that it has no beginning or end. It’s one of my favorite Jewish holidays, though I’ve only actually attended a couple of times.

Beyond this encounter though, most of my reading was relegated to school reading and various novels, and I didn’t seriously start looking at graphic novels again until after my fiance and I had moved to Idaho.

In the end, it was a Podcast that got me into graphic novels more seriously. The Bridechilla podcast interviewed Lucy Knisley about her book, Something New: Tales From a Makeshift Bride, and I was already reading all these wedding books, and I knew I’d have to add it to the list. So I read it. And then I read two more of her books. And then I started finding them all over the library in the new books section, in the staff recommended books section, and in the obvious place, the graphic novel section.

Apparently I was ready to embrace this medium. The art felt so immediate, so closely tied to the words on the page. Some of them were heavily researched, others were tales of personal journeys. Beyond the fact that they were often quick to read, making them a bit of a relief from a year largely spent reading books that weren’t all that special, they were a new world you could escape to in a single sitting.

Of course, I’ve also read some that I didn’t enjoy very much, and I’ve found that my favorites are either brutally honest personal narratives or meticulously researched but still lighthearted histories.

I still have a long way to go. But now I’ve gotten better at finding these books, and I’m more open about them finding me.

 

What’s your experience with graphic novels? Have you read any of my favorites or do you have a recommendation for me? Let me know in the comments!

 

Women Writers Reading Challenge #39: I Know Why the Caged Bird Sings by Maya Angelou

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In 8th grade when the other group of kids (in the other English class) was reading this book, we read The Outsiders, which is a fine book, but it doesn’t really hold a candle to Maya Angelou. I always felt that by not getting to read this book I was missing out, so I had to read it for this challenge.

Reading it now, I’m not sure why they assigned it in middle school. The book is really good, quite emotionally stirring with interesting (and intense) subject matter, but the ending seems like it would be very unsatisfying to a 13/14 year old since it leaves you with so many questions.

I’m very glad that I read this classic autobiography, which if you didn’t read it in school is very much worth reading. Angelou’s writing is good enough that the story flows like fiction and the subject matter gives you a lot to think about. It does stop when Angelou is about 16, so if you’re looking for a glimpse of how she became a writer, you’ll only get the smallest of them from this book. Rich and vibrant, this memoir is not to be missed.

Women Writers Reading Challenge #16: Personal History by Katharine Graham

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It’s hard to write about yourself. Examining yourself objectively isn’t easy, and to share your weaknesses as well as strengths with the world is even more difficult. However, this is the essential skill needed to write a good autobiography. Katharine Graham’s autobiography is perhaps the most frank and insightful of any I’ve read.

Born into wealth and privilege in Washington’s elite, Graham grew up with a strong sense of public duty and obligation from her mother, the political activist, and her father who, among other things, acquired The Washington Post. She talks about her marriage to the charismatic, intelligent, and ultimately self-destructive, Phil Graham. Her inheritance of the Post upon her husband’s death thrust her into the spotlight as one of the most powerful businesswomen in America at a time when women did not run large companies.

Her autobiography gives you an inside look into journalism, politics, Washington society, and the changing roles of women. The book is as powerful as the woman who wrote it and is a must read for anyone interested in the history of this famous newspaper, women in power, or the politics of the mid 1900s in the United States.

I also view finishing this book as a personal accomplishment, as I’ve been reading it on and off for about four years now. It was definitely worth the commitment.

2015 Women Writers Reading Challenge–Book #7: If You Ask Me by Betty White

IMG_1954_2I thought it was time to talk about (and therefore read) some nonfiction. I’ve got them piling up on my shelf because I always promise myself I’m only going to take x amount of books out at the library at one time, and I always exceed that by a multiple of at least three. I currently have 15 library books on the shelf, and I probably won’t get through them all, but that’s not going to stop me from getting more (because reading for me is basically working and going to the library is basically reading).

Anyway back to Betty. I haven’t seen much of Betty White’s early work (Golden Girls and The Mary Tyler Moore Show). I’m much more familiar with her character work in films like The Proposal and Bringing Down the House. So it was really interesting for me to read her newest memoir, which deals with her newer work. This is the age I always picture her–though now I know I’m going to have to go watch her earlier work because I love her even more now then when I started.

Since this book is her sixth, it’s less an autobiography and more of a collection of thoughts about various subjects including her acting, writing, and aging. They’re grouped into categories, and the sections are very short, most being only two to three pages. Interspersed are dozens of pictures, which show you a very happy life. You can tell she does the things she loves to do.

Her writing is very down to earth. It reads somewhere between a journal entry and a conversation with a close friend. She is frank, grateful for her experiences, humble, funny, and lives life with zest. My favorite quote from the book talks about following your passions: “If you live without passion, you can go through life without leaving any footprints.” I thought this was such a beautiful way of putting this idea. Beautiful, and yet simple.

I think this work is quite lovely. I love the way she references advice from her parents and how she describes aging. I really enjoyed this book, but if you’re interested in reading more about Betty’s earlier appearances, I’d suggest reading one of her earlier works as this book is really focused on her more current roles and appearances.

Do you like memoirs? What kind of experiences are you most interested in (film and entertainment, politics, food, science, etc.)? Personally, I love film memoirs and biographies, but I’ll read anything with good writing and an interesting perspective.